This chapter mainly talks about the experience of the characters out of the outline.
The more detailed the outline, the less active the work will be. Alexander Pushkin and Tolstoj, it is said repeatedly, should be the object of the author‘s admiration. Their inspiration for writing fiction can be a crumpled piece of paper on the ground, with basic characters and story lines chosen for improvisation.
Foreign works are not appreciated in the same way as Chinese works. They usually revolve around a single noun. The characters are rich in personality and expressiveness, and they carry what they want to express directly to the eyes. Chinese works pay great attention to details and the implied meaning behind them, it takes a lot of thought to get to Myōgi.
Despite the differences between Chinese and western expressions, the creative process is the same, first according to the outline drawn up before, but soon this work will develop to depth and breadth, full of characters, events, light and color, driven by imagination, moving forward smoothly and smoothly, the author of the novel dedicates his cherished image and language to the world without reservation.
But once the characters appear, they get life, they do not follow the author’s outline, the author of this article believes that this is a natural thing, that real life has a more understanding, in accordance with the Gourd Gourd Gourd Ladle, but seems to be stuck in a Rut.
相关内容：
